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There was a time when Bollywood didn't bat an eyelid at copying a foreign film and passing the copy off as an original. With the arrival of Hollywood studios on Indian shores, those days are gone. Now there are legal teams that will take producers to court if there's a whiff of plagiarism and studio executives go around peddling the rights to existing films. Brothers is a product of this new era. Directed by Karan Malhotra, the film is the official remake of the critically-acclaimed Warrior, starring Tom Hardy and Joel Edgerton.
As the title suggests, Brothers is about sibling rivalry.
VIDEO David is the son of Maria and Garson Fernandes. Garson is an alcoholic who makes a living as a "street fighter", an imaginary and unofficial sport that's staple fare in Malhotra's fictitious Mumbai. Borrowing a page from Masoom, Malhotra gives Garson an illegitimate son named Monty, whom Garson brings home when Monty's mother dies. David isn't unsettled by this new sibling. He embraces Monty comfortably and is the ideal, loving elder brother.
Then tragedy strikes the Fernandes household, thanks to Garson's alcoholism. Garson goes to jail and by the time he's served his sentence, everything has changed. His hair has turned white and he no longer drinks. David has turned his back on Monty while Monty has developed a hatred for David and a taste for unflattering earrings. Both of them appeared to have spent a fortune on plastic surgery since that's the only explanation for how the young men from Garson's pre-jail days could turn into Sidharth Malhotra and Akshay Kumar respectively.
Download 300 MB Version Download 700 Mb Version Or perhaps the real culprits are the desi twists (read: stereotypes) added to Warrior's tale. We get Indian Christians who are drunkards and pepper their speech with "man". They wear crucifixes and tattoo themselves with quotes from The Bible and crucifixes. Indian Muslims wear kajal, naturally. The film expects us to be interested in a 'sport' that is so brutal that Genghis Khan would probably have banned it. It wants us to sympathise with a man who was an abusive husband, an uncaring father and who has committed murder — all because he apologised and has bags under tear-filled eyes. You know what they say, sorry is the hardest word.
Thanks to director Karan Malhotra's inept direction, there's more hamming in Brothers than in a pig farm where a kid is watching all the Babe films back to back, while reading Charlotte's Web and Animal Farm. Glycerine flows freely, violins wail and bones crunch while subtlety slits its wrists in a corner.
Until intermission, Brothers is slow, bogged down by flashbacks and repetition. After intermission, we're plunged into the R2F tournament, which is supposed to be tense and gut-wrenching, but ends up being hilarious and ridiculous. Somewhere in Brothers' runtime of 158 minutes, Kareena Kapoor Khan appears with some sequins stuck on her person. It's an excellent moment to go and get popcorn since her item number could be a thesis on desperation and the anxiety of actresses in their thirties.